Next session of Glass Class 101 delayed…

AAAAARRRRGGGGHHHHH!!!!!! 

… for at least another week.  Looks like I’ll need more time to research as the planned subject is much more complex and controversial than I originally thought.

Update 12/15:  I think it’s probably safe to say that the Glass Class 101 sessions will be on hiatus until the new year.  I’m off to enjoy the best of the holiday season.

Nothing like a lovely warm soak…

beads in the kiln 

 …for several hours near 960F to keep my beadies happy and healthy.  Here’s a pic just after the completion of their cooling cycle in the kiln…

Today’s picture is also a hint regarding the second topic to be covered in Glass Class 101 (next session coming later this week).

Two pendants also off to a good home

I recently donated these two pendants to the charity silent auction at my office.  I’m happy to say both went to the same home.  Both pendants were wired on sterling silver and came with 18″ sterling silver snake chains.

Spring Rain Pendant: Approx. 2.25″

The pendant is made of opaque and transparent light blue glass, wrapped in pure silver, then lightly sprinkled with several shades of frit (tiny glass chips).  The opaque blue base is slightly reduced to bring out the streaks of red copper within the glass.
Spring Rain 

Autumn Leaves Pendant: Approx. 2.5″

The pendant is made of a white base of glass sprinkled with several shades of powdered enamel and frit.  The tree trunk is made from a tri-colour latticino (twisted glass cane).
Autumn Leaves

Goddess beads off to their new homes

 All on sterling silver wire with a sterling snake chain.  Each bead averages approx. 1.5-2.5″ in length:

View from the front:

Goddesses front view

Spring Garden Goddess was created from a base of turquoise opaque glass. She was then lightly reduced to bring out the copper trails and sprinkled with a blend of pastel pink, yellow and white frit (tiny glass chips). She seems to have just returned from lying in a field of wildflowers.

Lime Fizz Goddess was created from a base of juicy lime green opaque glass. She was then lightly sprinkled with tiny turquoise flowers and a deep purple frit. The tiny bits of purple and blue create the effect of dancing in flower gardens.

Ocean Mist Goddess was created from a base of white opaque glass. Her thighs were encased in deep blue, before being lightly sprinkled with periwinkle frit. The periwinkle reacts with the white to create a soft, smoky mist over her torso.

Purplicious Goddess was created from a base of opaque glass. She was then rolled in a deep purple glass powder before being sprinkled with a frit blend of pink, purple and white. The powder and frits intermingle to give her a soft, dreamy effect.

View from the back: goddess beads rear view

Tales from the torch: Nov. 21st-22nd/07

Results from my last few torch sessions: 

The four goddesses are sold (custom order).

two goddess beads and a tube focal 

From left to right:

  • still playing with a warm palette – this focal combines enamels, frit and clear.  i’d originally planned to completely melt the clear encasing smooth and then decided to leave it lumpy.  The bumps feels great.
  • turquoise goddess with several shades of pastel frit.  i reduced her a little to bring out the earthy copper trails.  i think i’ve finally got the hang of reduction – at least with blue glass.  at one point i had her completely red and then was able to add and remove the red copper on her surface by waving her in and out of different parts of the flame. very cool.
  • i love purple – it’s my favourite colour but it’s one of the hardest to get in glass – the rod colours tend to either be greyish or do weird things in the flame.  This goddess is rolled in purple powder and then three shades of frit.

 last few torch sessions

From left to right:

  • another experiment with dark raku – this time i heated and cooled it a lot so the colour development progressed further – moved past the olive to more gold and hints of purple. will have to play more…
  • trying to find a way to get orange, reds and silver to play nicely together.  not quite there yet.  i’m happy with the shape though.
  • started a goddess but didn’t like the strong reaction between the light blue frit and the ivory – plus i ran out of fuel…lol.
  • tried again with a white base instead.  the softer reaction between the white and the light blue frit is much better
  • love this one!  bright green and purple frit – aren’t they awesome together??!!!