Hellloooooo…. HOLLOWS!!!

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I’ve been practicing… A LOT.  And look, i’m finally able to make hollow beads!!!!  They’re a finicky bead to make so when i finally (yes, FINALLY!!!) got the glass to puff up into these lovely air-filled bubbles i had the biggest grin on my face!

img_1430I’m currently working at about a 60% success rate (and no i’m not showing any more of my failures!  wasn’t the last post enough??) so I’ve at least figured out what i was doing wrong.  As with most things in hot glass, perfecting this technique is simply a matter of practice, practice, practice…  I’ve wasted so much glass trying to figure this out but now that i have it’s a skill learned forever.  Or at least i hope so…img_1427These beads are about .75 to 1.75 inches in diameter.  Now, if they were solid glass, worn together they would be relatively heavy – instead, they’re quite light.  I keep wanting to juggle them but so far i’ve resisted.

Moving forward,  i’ll now mainly be working on fine tuning my technique:  flat or dimpled holes, thinner sides, more evenly shaped and better decorations.  I think that necklace of hollow beads i’ve been planning is just weeks (rather than months) away

Definition of insanity?

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THIS.  Now you might be looking at this nicely organized selection of murrini (chips from complex glass canes) and wondering what could possibly be insane about this, right?  RIGHT? 

img_1359img_1361HA!  Ok, well it all began like this:  I was surfing LE when i stumbled across a thread discussing commercial murrini… i thought cool, i could use a few more – i LOVE murrini (but so far haven’t developed a burning desire to make my own). img_1360 img_1358

So I clicked through a few pages and links on the mentioned supplier’s site and found several murrini styles i liked.  Nothing insane there, right?  Just  appreciating all the pretty colours… a harmless bit of window shopping… i mean c’mon, these really are pretty aren’t they? And in styles i’d never seen before – in fact MUCH better than the meagre selection from the tiny assortment bag i purchased way back when.  So i clicked some more… cooooolll, all those complex designs in such miniature form…  No biggie,  i’ll just buy a few.  Yeah.  a few.

Next thing i know, all of THESE showed up at my house.  Ummm…ok.  Bit more than i planned.  Or needed.  But still, there’s nothing insane here, right?  Excessive maybe, but insane?   naaahhh.  It’s like shoe shopping – when the selection is especially cute, you can’t leave the store with just one pair…img_1354They were a little dusty – as anyone would be after making the trip from Italy to Canada (via the US) – so i figured i better wash them before putting them away.  (Don’t ask me why,  I have no idea.)  So guess what i did?  I dumped all those bags into a bowl.  Yup, ALL of them.  Into ONE bowl.  And yes (in case you weren’t absolutely sure), this is when i think i crossed the line from excessive adoration to borderline insanity.  Have i mentioned that the largest of these murrini is about the width of a child’s fingernail (4-5mm)?  the smallest the size of the tip of a marker (2-3mm)???img_1400Once i actually looked into the bowl for just a moment i thought: what the hell have i done??  Whatev, it was too late to worry about it so i swished the pile around to clean them, scooped them out onto a towel and started the sorting process.  

img_1398And yes, that’s when i fully crossed the line from borderline  to complete and utter  insanity.  It took me three days (on and off) to sort that mixed up pile of murrini by size, pattern, shape and colour.  And you know what?  I ENJOYED it!  For some bizarre reason, I found the process soothing: as i created each pattern pile it helped me come up with ideas of how i could integrate each murrini style into a potential bead design.  img_1401

Now, considering i have bins of commercial seed/glass beads i’ve refused to touch for years because they’re all mixed together, you can understand why i’m in a bit of a shock??

Ahh well… i suppose that’s the magic of hot glass: it’s so unrestricted, even what should have been a tedious chore like this, can develop into an exciting opportunity for new design directions. 

New beads with these murrini should be coming soon…

Oops.

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mandrels with cracked bead release

One of the most basic lampworking skills is dipping mandrels.  As long as you do it correctly, it’s a no-brainer.  When it’s NOT done correctly, however, it’s a huge pain in the butt.  And yes, even if you have been dipping mandrels for almost three years (ahem), it’s still possible to occasionally mess up…

img_1351As soon as i stuck these mandrels in the flame, the bead release flaked completely off.  My first reaction was of course to wonder what the heck was wrong since my other mandrels were fine.  Then i remembered: buncha new mandrels.  Dipped.  Right.  Did i scratch them up them before dipping to give some “teeth”?  Couldn’t remember.  Doh!  (siiiigggghhhhh)

So now, i have to wash off the old bead release, re-season and re-dip the whole pile of new mandrels.  It’s not that big a deal really, just annoying.  Dipping mandrels definitely ranks as the second most boring chore in glass beadmaking (right after cleaning the beads).  I tried to pay the Teenager to do it for me and even he couldn’t be suckered into this dreadful task. 

The only upside is at least i can’t stab myself with anything pointy while dipping…

An interesting idea…

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This bead is an experiment – one that turned out better than i expected but isn’t quite yet where i want it to be… 

Essentially, it’s  a strip of copper mesh encased in clear and ivory.  I’ve never used copper mesh before so i wanted to try it to see what kind of fun designs it might inspire.

I do like the window – although i wish i’d done a better of job of encasing the copper: it’s an interesting fiery red when encased but otherwise  a burnt black (i missed a spot).  I like the burnt copper effect as well,  just wasn’t what i was looking for this time…

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The lines are drawn on with silvered ivory stringer (ivory rod wrapped in silver foil, then pulled into a thick string) which reacted with the ivory base to create those lovely shades of golden brown.  I tried to adjust the flame chemistry to pull out some blues as well but no luck,  maybe next time…

 I’m not sure i like the curlicues – next round i think i’ll try straight lines instead.  At the very least you can see my stringer control is definitely improving.

The tapered barrel shape and the slightly raised scrollwork give the bead a good “hand feel”.  I like beads that are fun to touch as well as being visually pleasing.

The shape of the window works for me as well as the translucency, especially in bright sunlight.  Sends me off on a whole other stream of ideas for where i can take this design…

All in all this was a good exercise.  I wasn’t sure if the look of the copper mesh would appeal to me but it actually does.

I’ll definitely need to make more.

Now this is a BIG press!

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I’ve been thinking for the last little while that i need a bigger  press so on impulse i ordered this crunch-style press.  It finally arrived last week and wow, is it ever HUGE!!!  I have absolutely no idea what on earth i’m going to do with it, it just seemed like the right approximate size for whatever direction my creative muse is heading next…

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Now, I’m not usually a fan of bead presses (I own quite a few and find most too restrictive) but this is the third Cattwalk crunch i’ve purchased –  i find this particular style of bead press is flexible enough to work with my rather free form style of beadmaking.  The crunches allow me to press a bead into an overall curve with nicely tapered sides that i can then convert to whatever shape or size appeals to me.  It would be hard to duplicate that shape with the flame alone…

I bet it would take at least three of four rods (if not more) to completely fill this beast…  When i finally get around to making a bead, it’s going to be a whopper!